LUTHFI IHWAN

I cover the full post-production pipeline — Video Editing, Color Grading, Motion Design, VFX & 3D, Sound Design, and Digital Compositing. I also integrate AI-assisted and Generative AI workflows for faster, high-quality output. Whether it's a branded commercial, a social campaign, or a full brand film, I've got the stack for it: Premiere Pro After Effects DaVinci Resolve Blender.

With 4+ years and 85+ projects across brand & advertising, corporate & commercial video, digital content, film, and education — for clients including Central AI, Smart Mebel, and schools. Especially open to commercials, corporate work, and beauty or lifestyle brands. I'm open to any industry — if the story is worth telling, I'm in.

Yes — I'm equally comfortable cutting a 15-second social reel and a full-length narrative film. Short-form demands sharp pacing and platform-native sensibility (Reels, TikTok, YouTube Shorts). Long-form requires structural thinking, continuity, and narrative arc. Both have been part of my 85+ delivered projects across 4+ years.

Yes — I work fully remote with clients across Indonesia and internationally. Projects run asynchronously via shared review links, cloud handoffs, and scheduled check-ins. Timezone-friendly communication — most feedback cycles happen within 24–48 hours.

Simply reach out through my contact page, and we'll kick off with a brief discovery session to align on project scope, reference materials, timeline, and deliverable format. From there I'll put together a clear proposal — no fluff, no hidden costs.

I run a structured offline → online pipeline: rough cut review → picture lock → color grade → motion graphics → sound mix → final export. Every project gets organized bins, a clean archive, and a structured Drive delivery folder — sorted before the edit and ready to hand off at the finish. For larger projects I use a proxy-based pipeline to keep the timeline fast. Review checkpoints happen at each milestone — you'll never be surprised at the finish line.

Timelines vary based on scope. A social cut or short-form content package wraps in 3–7 business days. A branded commercial or full color grade runs 1–3 weeks. Motion graphics or 3D-heavy sequences typically take 3–5 weeks. I always give a realistic timeline upfront — and I stick to it.

Yes — every project includes 2 rounds of revisions as standard. Feedback is collected via a shared frame-accurate review tool so notes are always precise and tracked. Additional rounds can be arranged based on project scope. Clear notes, tracked revisions — no guesswork on what changed.

I deliver platform-ready H.264/H.265 masters for web, social, and client review — plus archive-friendly exports agreed in the brief. Need ProRes, DNxHD, or custom agency/TV specs? Happy to deliver when the project calls for it.

My core stack is the full Adobe Creative Suite — Premiere Pro, After Effects, Audition, Photoshop, and Lightroom. Color work lives in DaVinci Resolve with custom LUT pipelines. 3D and VFX in Blender (Cycles & EEVEE). For AI-assisted work I use Runway, Topaz Labs, and custom Stable Diffusion / ComfyUI workflows.