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Taste comes first
Strong aesthetic sensibility across pacing, color intent, typography, motion, music, and references. Effects, grades, fonts, and moves are chosen on purpose — not dropped in at random.
I'M —
LUTHFRAME®
Post-Production Specialist · Creative Technologist
OPEN FOR SELECT PROJECTS
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© 2026
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Years Experience
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Projects Delivered
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Trusted by Clients
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Accolades
FEATURED WORK
View project: SMANGI Rewind — Full Post-Production Pipeline
CAS Film
2025
SMANGI Rewind — Full Post-Production Pipeline
Official rewind for SMAN 1 Lebakwangi — a cinematic school recap delivered end-to-end: offline edit, color grading, VFX, motion graphics, 3D & CGI, and masters for social and archive.
View project: Mite — Experimental Film
Experimental Film
2022
Mite — Experimental Film
An in-house experimental short — directed, shot, edited, graded, and finished with 3D and graphics; screened internationally and locally in 2022.
View project: Footwear Commercial Video
Ads
2022
Footwear Commercial Video
Footwear commercial for FYC, produced with Cinemarta Pictures — a tight :49 spot finished through full post: offline edit, color grading, VFX and motion graphics, 3D & CGI, and masters ready for broadcast and digital.
View project: Anemia — Explainer
Explainer
2022
Anemia — Explainer
Educational explainer detailing anemia symptoms and dietary prevention for teenagers.
View project: Smart Mebel Kitchen Viz
Ads & Visualization
2021
Smart Mebel Kitchen Viz
Kitchen furniture showcase combining editorial cut, color grade, and 3D visualization for product launch.
Why Work With Me?
Taste, multidisciplinary craft, pro tools, and structured process — four strengths that shape how your project gets finished.
02
Full post pipeline
Edit, color, motion, design, VFX, 3D, and sound in one workflow under a single creative direction. Different disciplines, one through-line — so the final piece feels built, not patched together.
03
Pro gear — pro habits
ProArt-calibrated display monitoring, Mac Mini M4, and professional audio monitoring — plus the Adobe suite on every project. A stack built for high-quality output, with tidy project hygiene so handoffs stay consistent and delivery-ready.
04
Structured remote process
Clear milestones, frame-accurate feedback, and tracked revision rounds — remote collaboration for teams in Indonesia and worldwide.
One specialist, one through-line — not handoffs, vague feedback, or last-minute patch jobs.
ABOUT ME
Available for work
Post-Production Specialist
A creative generalist with a passion for perfection — frame by frame
A Post-Production Specialist with 4+ years of experience and a Bachelor's degree in Film and Television. Experienced in various projects focusing on video editing, color grading, motion graphics, and digital content creation. Combines strong technical skills and aesthetic sensibility to create high-quality and engaging visual content.
What I've been working on
Video Editing
Color Grading
Motion Design
Post Workflow
AI Workflow
Generative AI
VFX & 3D
Digital Compositing
Sound Design
Design Sensibility
Photography
Web Development
Project Management
TOOLS & EXPERTISE
Mastering industry-standard tools to deliver exceptional results across every post-production discipline.
Premiere Pro
Video Edit
After Effects
Motion & VFX
Audition
Sound
Lightroom
Photo Edit
Photoshop
DESIGN
DaVinci Resolve
Color Grade
Blender
3D & ANIMATION
01
Video Editing
Premiere Pro
After Effects
Offline-to-online editing for commercial, short film, and social content. Organized project bins, clean archives, and structured Drive delivery folders. Standard on every project.
Proficiency
95%
02
Color Grading
Premiere Pro
DaVinci Resolve
Comprehensive color grading for commercial, film, and social deliverables. Covering everything from primary corrections and secondary isolations to custom look development and skin retouching. Workflows are tailored to the project: Premiere Pro when quick turnaround is needed, and DaVinci Resolve when deeper grading is required. Capable of transforming 8-bit or 10-bit footage into cinematic, polished, or natural styles. Delivered in Rec.709, ready for export.
Proficiency
90%
03
Motion Design & VFX
After Effects
Photoshop
Blender
Motion graphics and VFX for ads, corporate video, and social. Titles, explainers, screen replacement, motion tracking, object cleanup, rotoscoping, and compositing in After Effects. Photoshop for asset prep and static graphics; Blender for 3D-backed elements when the shot calls for it.
Proficiency
85%
04
3D Animation & Compositing
Blender
After Effects
Product and environment work in Blender: modeling, lighting, and animation with Cycles & EEVEE. Multi-pass renders composited into live footage in After Effects for ads, explainers, and integrated VFX shots.
Proficiency
78%
05
Graphic Design & Photo Retouching
Photoshop
Lightroom
Title and typography for brand films and video campaigns, plus social content, posters, and key art. AI-assisted workflows for upscaling, cleanup, and sharper deliverables when timelines are tight.
Commercial and editorial photo finishing covers natural skin and beauty retouch, product cleanup, background work, and consistent color across sets. Batch editing and catalog-ready exports for ecommerce and campaign deliverables.
Proficiency
84%
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Sound Design
Audition
Premiere Pro
Dialogue cleanup, ambient layering, simple foley, and stereo mixing for film, commercial, and web. Spectral repair and noise reduction when location audio needs saving, with level balancing so dialogue, music, and SFX sit cleanly together.
Proficiency
75%
AWARDS & HONOR
7 Recognitions · 2017–2022
Title
Work
Level
Selected for the International Film Exhibition by the Film and Television UPI Program, 2022.
DE · PL · ID
"Mite"
International
Nominated for Best Experimental Film at Nomadland FTV UPI, 2022.
Bandung
"Mite"
Institution
Shortlisted in the Youth Competition, Sony World Photo Contest, 2020.
United Kingdom
"Lets Play"
International
Runner-up at the Tangsel Literacy Festival Short Film Competition, 2019.
South Tanggerang
"Surup"
National
Nominated for Best Fiction Student Film, Surabaya Film Festival, 2019.
Surabaya
"A Miracle"
National
2nd Place at the KGTK Universitas Indonesia Photo Contest, 2019.
Kuningan
"All in One"
Regional
1st Place at the Agroforce Universitas Padjajaran Short Film Competition, 2017.
Bandung
"Selembar Impian"
National
FAQ
Quick Answers
Before
Before
we roll.
Straight answers on workflow, timelines, deliverables, and tools — so you know what working together looks like. Still unsure? Reach out.
Get in TouchThe full post pipeline: Video Editing, Color Grading, Motion Design, VFX & 3D, Sound Design, and Digital Compositing. I also use AI-assisted workflows when they genuinely help the job.
With 4+ years and 90+ projects across brand & advertising, corporate & commercial video, digital content, film, and education — including personal projects. Especially open to commercials, corporate work, and beauty or lifestyle brands.
Yes — fully remote, with clients across Indonesia and internationally. We work through shared review links, cloud handoffs, and scheduled check-ins. Most feedback turns around within 24–48 hours.
Yes. A 15-second social reel and a full narrative film need different pacing — and I cut both. Short-form is built for Reels, TikTok, and YouTube Shorts. Long-form is about structure, continuity, and keeping the story tight.
Offline → online, in clear stages: rough cut review → picture lock → color grade → motion graphics → sound mix → final export. Every project gets organized bins, a clean archive, and a structured Drive folder ready for handoff. Larger jobs run on a proxy pipeline so the timeline stays responsive. You review at each milestone — not only at the end.
It depends on scope. Social or short-form packages usually wrap in 3–7 business days. A branded commercial or full color grade runs 1–3 weeks. Motion graphics or 3D-heavy work typically takes 3–5 weeks. You'll get a realistic date before we start — and I hold to it.
Yes. Every project includes 2 rounds of revisions as standard. Notes go through a shared frame-accurate review tool so feedback stays precise and tracked. Extra rounds can be added if the scope needs it.
Platform-ready H.264/H.265 masters for web, social, and client review — plus any archive exports we agree on in the brief. Need ProRes, DNxHD, or custom agency/TV specs? Happy to deliver when the project calls for it.
Daily: Premiere Pro, After Effects, Audition, and Photoshop. For projects focused on color grading — or when the grade needs more advanced control — I use DaVinci Resolve, where it handles that work more effectively. 3D and VFX in Blender when a project needs them. For AI-assisted steps: ChatGPT (DALL·E) and Gemini (Imagen) for concept development and image assets, alongside Runway for AI video generation.
Send a message through the contact page. We'll start with a short chat to lock scope, references, timeline, and delivery format. Then you'll get a clear proposal — no surprise fees.
LET'S TALK!
Reach out anytime
Great work starts with a conversation.
Currently accepting projects for Q3 2026. Reach out early to secure your slot.
Response Time
Within 24–48 hours
Available Now
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